National measures

The Constitution of the Kingdom of Cambodia proclaims:

• Article 69: The State shall preserve and promote national culture. The State shall protect and promote the Khmer language as required. The State shall preserve ancient monuments, artefacts and restore historic sites.

• Article 70: Any offense affecting cultural and artistic heritage shall carry a severe punishment.

• Article 71: The perimeter of the national heritage sites, as well as heritage that has been classified as world heritage, shall be considered neutral zones where there shall be no military activity.

Lokesvara, northern face of Neak Poan's central sancturay


1938


1995

National Law

In the early 1990s, and with international legal assistance, amendments were made in the penal code of the State of Cambodia to introduce sanctions on the destruction, theft and illicit traffic of cultural property to enable existent authorities to immediately address the growing problem. Assistance was also provided in drafting a comprehensive set of laws for the protection of cultural property. Both the cultural property laws and the statutes were adopted in February of 1993 as Decisions of the Supreme National Council. Though these actions proved neither immediately effective nor lasting, they were important precursors to more permanent measures taken in post-election years.

In January of 1996, the Law on the Protection of Cultural Heritage was promulgated. This law aims at protecting cultural property against acts of vandalism, illicit transfer of ownership, excavations, illicit export and import.

Cultural property is meant as "any work produced by human agency and any natural phenomenon of a scientific, historic, artistic or religious nature which bears witness to a certain stage in the development of a civilization or of the natural world and whose protection is in the public interest." This is a general definition which does not fix any particular limit, such as limits on age or the monetary value of the property, and which leaves wide freedom of judgment to the executing authority. It is also compatible with the definition given by Article 1 of the UNESCO 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property.

In order to ensure effective protection of the various historical sites, which often contain several monuments and which cover a wide area of the territory, the law provides for the delimitation of protected sites. Indeed the Cambodian cultural heritage includes a number of groups of immoveable cultural property, each of which forms a homogeneous whole and has in itself unique historical, architectural and scientific value. It is important to take specific protective measures in order to safeguard the integrity of these groups. The demarcation of these sites and the protective measures are contained in the Royal Decree of 28 May 1994 concerning the zoning and management of the Siem Reap/Angkor region. Moreover, the protected monumental sites and archaeological reserves are of public ownership and any property inside is automatically classified.

This legal instrument allows the Kingdom of Cambodia:

  • to fight illicit traffic in cultural property by taking, as a matter of urgency, the necessary executing measures;
  • to fulfill its obligations under the 1970 UNESCO Illicit Traffic Convention and to benefit therefore from protective mechanisms under that international instrument;
  • to guarantee progressively an effective legal protection of the national cultural heritage;
  • to give concrete expression to the inscription of the Angkor site on the World Heritage List in providing the legal protection required by the 1972 World Heritage Convention.

The law also takes into account the international commitments of the Kingdom of Cambodia in the field of the protection of cultural heritage and gives concrete expression to several provisions of indirect application contained in the 1970 illicit traffic Convention.

 

The Cultural Heritage Police

More information

 

Art inventories

Thorough inventories of art objects held in national institutions (national and provincial museums, the Angkor Conservation compound) were established prior to the wars of the 1970s-80s. Many on-site objects, including monuments themselves, were also well-documented, if not always specifically inventoried. The challenge now facing the Khmer government is to establish full post-war inventories of the artistic heritage. When compared with pre-war documentation, these will serve as the basis for identifying stolen art, and seeking its return. Up-to-date inventories are also, of course, essential to discouraging or even preventing further theft, and to retrieving objects looted in our day.

At Angkor, the first steps have been taken in this direction. Khmer art specialists from the Ecole Française d'Extrême-Orient (EFEO), one of whom had been involved in establishing pre-war inventories, worked from 1994-1998 with three graduates of the Department of Archaeology and with support from UNESCO, to establish a new inventory of the Angkor Conservation's collection of stone statuary, which had been inventoried before recent wars. APSARA is now preparing a comparison of the pre- and post-war inventories in view of establishing a list of stolen objects. The Ecole Française d'Extême-Orient holds photographs of the pre-war inventoried objects in its Parisian archives. Archival research will therefore allow APSARA to illustrate each of these missing objects. The final document will be distributed to INTERPOL and other agencies working in collaboration with the Khmer government in the fight against stolen art.

This work takes its inspiration in part from an earlier publication, One Hundred Missing Objects: Looting at Angkor. The result of a collaborative effort between the International Council of Museums (ICOM) and the EFEO, this book, first published in 1993, and revised and re-edited in 1997, provides illustrated descriptions of some of the most important pieces of the Conservation collection known to have been stolen between the 1970s and 1990s. The book has made a significant contribution to the fight against looting of Khmer art, prompting the restitution of numerous published pieces to the Cambodian government.

 

Consciousness-raising Campaigns

APSARA strives to raise the consciousness of the local, national and concerned international communities on all aspects of the Angkor site, including history, traditions, social and environmental and cultural heritage protection concerns. Following are a few of the specific activities carried out over the past few years to this effect.

Over the course of 1994-95 APSARA carried out research on various aspects of Angkor to complement data gathered during the ZEMP project (Zoning and Environmental Management Plan, supervised by UNESCO, following the temporary inscription of Angkor on the World Heritage List) in view of compiling a single document to be used as a basic manual for work at Angkor. The final book, Angkor. A Manual for the Past, Present and Future, was published by APSARA in 1996. This English version was soon followed by a translation into French and Khmer.

Tani Forum on Cultural Heritage Management: In the framework of research on the ancient kiln sites discovered in Tani village, the Department of Culture held a Forum on Cultural Heritage Management at Vat Run, near Tani village in 1996. The Forum provided villagers as well as school and religious leaders the opportunity to exchange information and opinions on cultural heritage protection with local, regional, provincial and even national authorities, along with members of international research teams. For this occasion, APSARA worked with a local shadow theater (sbaek touc) troupe to create a show on cultural heritage protection. The Forum was followed by this night-long performance, which attracted villagers from throughout the surrounding region. In 1998, APSARA also published a brochure on kiln site protection. The three versions, Khmer, English and Japanese, have been distributed throughout the region to concerned parties. Another brochure will be published in year 2002.

In the framework of the on-going project to develop a global conservation program for the temples of Angkor, APSARA is currently working with village and district authorities in the Angkor Park to promote cultural heritage protection and preservation awareness, and to encourage the establishment of healthy relations between villagers and tourists. While school programs to this effect remain in the planning stages, local community leaders have already begun to educate villagers about the importance of keeping children in school, rather than abandoning their schooling for the immediate gratification to be had in chasing tourists around the Park... Educational and cultural activities for local residents are also to be established with the Buddhist pagodas situated within the enclosure of Angkor Vat.

Consciousness-raising through the Media

On the occasion of the international exhibition of Khmer art, held in Paris, Washington, Tokyo and Osaka in 1996 and 1997, the media of these countries gave wide coverage to the problem of looting of Khmer temples. Amongst the many articles and documentaries produced at that time, three were of particular significance:

  • A National Geographic Television team spent more than one year collaborating with APSARA in preparation of a documentary on looting at Angkor. The film was first aired on August 31, 1997.
  • A team from the Franco-German television station ARTE worked with APSARA personnel in May of 1997 to produce a 52-minute documentary on the fight against illicit traffic of Khmer cultural goods.
  • Over the course of July 1997, the French newspaper Le Monde published a series of twelve articles on illicit traffic across the world. One in this series, entitled "Les tribulations de la déesse d'Angkor", described the international odyssey of a statue stolen from the Angkor Conservation (DCA 7081) finally restituted to Cambodian authorities on June 2, 1997.

Numerous other documentaries and newspaper articles have been produced on the subject since the 1997 exhibition. The Khmer national media has, particularly in 1998-9 begun to give significant coverage to the problem at Angkor and elsewhere in the country.


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